Written by Sadiya Ali
Nanaji reaches for the small glass jar
and offers us endless butterscotch sweets.
Hard and honeying, they speak of untold joy
and fleeting contact.
Unmarried aunties fuss us out of the cave-like shower
into the gentle sunlight,
wrapping our hair in thin towels
and drying in between our toes.
Our Lady Di inspired dresses are hurried on
and we wriggle as the charpoy ropes
graze our cosseted knees,
kinder to hardy familiars.
We’re smuggled crispy mixes in cellophane wrappers,
our privileged status confirmed by whispers
and promises of yet more fancies.
We play dress-up in their college burkas,
giggling at the strangeness;
seeing, unseeing, seeing, unseeing—
how strange to play at foreign grown-ups
though they are merely out of school.
In the late evening when everyone retreats indoors,
seeking refuge from the mosquitoes
and ready for reclining,
hunkering down in too-thick blankets,
tossing roasted corn into our mouths or at each other.
We replicate a serious Qawwali performance.
Heads wrapped in linen scarves,
though my Dad’s borrowed track top
and our matching toothless grins
lessen the authentic effect.
Bemused Uncles clap graciously.
“Wah, Wah!”, they shout and ask for encores.
We readily oblige; attention and novelty
embolden us as holidaymakers losing their inhibitions.
Although Dad had warned us:
Nanee would only make us aubergine stews every day,
she indulged and overfed us like
a maternal bird at first flush of motherhood.
Sunlit mornings hosting ghee oozing parathas
wafting as we tap dance impatiently on the stones
surrounding the cracked tawa
atop the crackling fire of sticks and logs.
Spying on neighbours’ kite flying
when able to escape to the baked rooftops.
Dark cool interminable stairs—
then a burst of unbearable sunlight
as we emerge at the top of the world.
Befriending the new patchy goat
and feeding it freshly hewn grass—munchy munchy—
only to discover it for Eid lunch,
deliciously meaty and red with flavour.
Welcomed, enveloped and delighted at,
praised with practical care and possessive glances.
All too aware of the distant nature of this
carefully curated bliss.
There was no other warm World like it
before or since—
when two worlds collide
and remember their shared beginnings.
Sadiya is a poet whose work explores themes of identity, history, and human connection. Rooted in a diasporic and multicultural world, her writing often adopts shifting voices and perspectives. Her poems are sparked by objects, memories, and characters—each one a doorway into deeper questions.
Her work has appeared in Pressed Town Zine, Zimmer Magazine, Manic World, and scribbled. In 2025, she was longlisted for the Erbacce Prize, and she has recently begun performing her poetry live.
Beyond the page, Sadiya has worked across arts organisations, local government, and the charity sector. She currently works in Higher Education.